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The joke is on us. Rather than being inundated with more shows than we could keep up with, we have found the start to this fashion month to be slow and without much to inspire. Luckily this collection by Ashlyn is keeping us from going dark all week. 


Not high fashion and not womenswear, but we very much liked this collection from Kith which incorporates western elements through the use of a patchwork bandana-print. 


It has been three long years since we attempted to cover the shows because reporting on them in a timely manner can be extremely intense and by the end of fashion month we are usually burnt out

We have tried double-distilling the coverage (meaning we only feature the looks we love from the collections we love) but that never really works to give a full picture. We are going to try once again but with a more streamlined format.


The iconic Max sofa created by Italian designer Antonio Citterio for Flexform in 1983 represented the first time Citterio incorporated organic forms into a more traditional structure confronting the idea of being asymmetrical with a freer form. Now, Citterio and Flexform have joined forces to revisit the idea of the original Max sofa conceiving what they have dubbed the Supermax as a contemporary interpretation of the original 1983 version. 


Tomas Kral Project Design helped Foundry Collection develop this series of objects inspired by - of all things - a clown's nose. 

Almost everyone who has grown up in the Caribbean is familiar with the smoky spiral of the cockset which is burned at night to keep mosquitoes away.

Osengwa

The Ayo Bench was designed by Josh Egesi, who founded his interdisciplinary design studio, Ike and Sons, in Lagos in 2021.


Confused is the right way to put it.

When we first came across these brightly coloured ceramic vessels from Cape Town-based creative studio MUTI, we were captivated by the bright colours and abstract designs. Only upon further research did we discover the pieces are actually 3-D renderings.


Born and raised in Bermuda, jeweller Melanie Eddy - who has lived and worked in London for the past two decades - is now the subject of a special exhibition at the Bermuda National Gallery.

The curated works of Kenyan-born British artist Dame Magdalene Odundo, celebrated for her hand-built vessels which often speak to her cultural heritage, are currently on display at Houghton Hall, one of England's finest historical estates. Taking centre stage is a monumental piece the result of Odundo’s time as the artist in residence at Wedgwood, the iconic British porcelain manufacturer.